The intention of the exhibition Carnale is to generate an introspective change in the viewer by provoking reflection and an evolution of thought through provocative and engaging elements that accompany him along the exhibition route. A formative, immersive and innovative path formed by environments that have the peculiarity of making people think, provoke, go outside the box, make them think in a non-conformist way. To stir convictions and minds in a reality that is no longer so stable and is constantly evolving. Each room is conceived on the basis of the cubic volume concept, which makes it possible to create homogeneous and structurally similar spaces that do not disturb the total comprehension of the layout. They have a mainly display function, which can be more or less interactive. In fact, some of them are conceived as niches into which it is possible to enter in order to actively interact with the exhibited object.The graphic development of the project is exhibited through the representation of the space in a design plan and its related sections. One note to note that comes to the surface from the analysis of this plan is the fluidity of the path as a feature of the travel flows. Although it is at the user’s discretion whether to stop or not, the design is always aimed at not closing the field of vision with a wall dividing the space, but giving the visitor the opportunity to see through, beyond the rooms, without interrupting the gaze.
Carnale
Research



Moodboard
Project development




Exhibition space
Plan and Sections









Exhibition catalogs
Renders










































For the final presentation of the thesis project, an editorial project was developed to explain and support the project. The design of the exhibition Carnale encapsulates the explanation and theoretical research on the theme we have explored, also encapsulating the curatorial choices. All these choices are, in fact, collected in an exhibition catalogue that has been developed. In support of this, a project explanation has been developed.
The development of the individual theses was then realised following what is a stylistic line consistent with the rest of the project. My focus was on light and its use in museum exhibition spaces.



